Up
Pixar remains untouchable with their latest film, especially when led in by a trailer for Sony’s Cloudy with a Chance of Meatballs, which, in its first minute looks like a total Jimmy Neutron rip-off. Â The last time I read the book was in first grade or so, but I don’t recall a kid inventor making non-sensical contraptions.
One of the themes of Up seems to be that misery loves company. Â The cast of hereos consists of outcasts, misfits, or sad-sacks in various forms. Â Through their mis-adventures together, each starting off with seperate goals for journey, they eventually learn to lean on each other, making a whole new family of their own.
The movie is full of laugh out loud quirks which work for both kids and adults. Â Note I said “and.” Normally there’s jokes for kids and jokes for adults. Â Many of the jokes in Up are truly multi-layered with an extra kick for those with more life experience.
Humor aside, the opening montage in itself is a wonderfully developed, touching, impactful beginning-middle-end story and could easily have been its own short. Â More sensitive folks may want to pack tissues; many in my theater were audibly tearful.
Pixar is known for tackling very specific technical challenges with each film. Â In A Bug’s Life, it was crowds. Â In Monsters, Inc., it was hair. Â In The Incredibles, it was humans. Â Between the front-attached animated short Partly Cloudy and the iconic balloons lifting a house, I think their challenge here was complex soft-body collisions. Â However, the balloons are far from always on screen, so maybe I’m just imagining the showcase because it was far from highlighted.
What is masterfully showcased is the use of depth. Â Normally when you see CG films in 3D, all layers are more or less in clear focus. Â The primary method of funneling the viewer’s attention is by popping something out of the screen. Â Up utilizes traditional camera lense techniques (the “imperfect lense” seen in Wall-E) to make sure that the viewer is not overwhelmed and unsure of what to look at. Â The clouds, fog, light/shadow, and frame composition also noticably contribute to the incredible sense of dimensionality. I’m 100% certain that it would still pop without the glasses.
Back to talking about people, I noticed there were numerous elderly couples or small groups attending my showing. Â They weren’t accompanied by families or grandchildren, and several groups stayed through the credits. Â I don’t recall any similar situation in other family movies, and I wonder if the turnout had anything to do with the protagonist.
Highly recommended.
Or, rather, Z to X, as the case may be.


After getting the news from IndieCade late last week, I’ve spent most of my time since sorting out travel plans to get to E3. Â Travel and lodging have been finalized with just a few other bits to consider.

