2009 August | The VidZone Network Blog

August 21, 2009

“Squircle” is not the sound it makes when you touch it


Image credit: RussellHeimlich.com

I recently upgraded from my original Zune 30 to a Zune 80 thanks to a phenomenal sale price online. I love its smaller body, longer battery life, and of course the more than doubled capacity.

Aside from non-tactile feedback, I also dislike touch-based controls on portable devices due the the additional battery drain the technology introduces.

After trying out the new touch-sensitive, swipable squircle for a while, I ultimately turned it off in favor of sticking with traditional 5-way d-pad control. I operate the MP3 player blindly in the car, tracking forward and backwards in songs and skipping tracks. I didn’t want to inadvertently jump around or alter the volume level just by keeping my thumb on the squircle.

I was experiencing some unresponsiveness and unintentional (often opposite) behavior sometimes. Why won’t it read my clicks? Why is the volume raising instead of skipping a track? Why’s the track restarting instead of skipping forward?

I’ve since figured out the mystery. It turns out the Zune Pad’s touch setting only deactivates swipe gestures. Otherwise the touch-sensitivity is still active, and in fact determines the action taken when the squircle is depressed. In fact, I don’t it’s a traditional 5-way d-pad at all; I believe there’s a single microswitch under the big button. The Zune uses it’s touch sensor to determine whether your finger is in the up/down/left/right/center zone when the button is depressed. If you press any direction with a fingernail, nothing happens since there’s no skin contact to send electrical signals. And if you put a finger on one direction but press the opposite direction with a fingernail, the action activated is the one where your skin is making contact with the pad.

Clever implementation…but sometimes annoying. Fortunately, my battery life is phenomenal, though I haven’t put the unit through a multi-day endurance trial yet.

Carl @ 5:42 pm
Filed under: Gadgets,Techniques — Tags: , ,

August 16, 2009

Carl’s Movie Mini-Review: District 9

District 9

Since the Halo movie project wasn’t able to get off the ground, producer Peter Jackson and director Niell Blomkamp didn’t care to waste their creative momentum and decided to remake Blomkamp’s short film Alive in Joburg.

District 9 starts off as a sort of racial parable, mimicking the events surrounding apartheid in South Africa. But this time with alien refugees instead of native blacks forced to be second-class citizens.

One day 20 years ago, an enormous alien spacecraft comes to rest above the city of Johannesburg. After nothing happens for quite a long time, the local government decides to break their way in, finding a starving, dying crew of aliens. The Johannesburg realizes that it would be in bad form (in the eyes of the watching global community) to not aid the weary travelers, so they provide them food and shelter right outside the city.

The aliens are given a fenced-in plot of land to build a shanty town (the titular District 9), but sometimes they wander into the city and interact with the other citizens, often in socially negative ways, like stealing sneakers or cell phones (the aliens are believed to have no concept of ownership) or burning cars. Because the “civilized” South Africans (black and white) generally don’t get along with the aliens, they want another camp (District 10) built further away from the city.

And here we enter the story, with ignorant and bumbling bureaucrat Wikus van der Merwe leading the project to serve the aliens eviction notices. This first act of the film is filmed like a comedy mockumentary like Reno 911 or The Office. Then showboating Wikus accidentally squirts himself with mysterious black alien liquid, catalyzing a dramatic physical transformation.

Unfortunately that’s where the plot stops being interesting and the whole film devolves into standard fugitive-trying-to-fix-the-situation chase/action movie but with exploding people and a mecha-suit.

It’s a spectacle on the screen, but I can’t say it’s a spectacular movie overall. Maybe I’m ignorant to any other apartheid allegories in the final two acts, but I didn’t see anything else that bothered to the explore the refugee story any further. The whole movie is undoubtedly and consistently about the value of “human” life, but it just plays its cards so wrong.

Sharlto Copley plays Wikus very well and genuinely through his whole arc; I can’t take that away from him. The CG is mostly above average but sometimes still looks like something made on a TV series budget.

I can’t recommend giving it a viewing, but nor can I call it a total waste, so nor can I recommend not seeing it.

Carl @ 10:23 pm
Filed under: Film,Reviews — Tags: , , , ,