Comics | The VidZone Network Blog

May 6, 2011

Carl’s Movie Mini-Review: Thoughts on Thor

Rainbow Road

Ultimately, it turns out Thor is a movie about love (not strictly romance) and respect. With a throne at stake, sibling rivalry, and corruption within the kingdom, perhaps Kenneth Branagh–better know for his Shakespearean work–is the appropriate director for this particular “summer blockbuster.”

That said, this is a more introspective superhero movie, reminding us that sometimes comic book stories have more to tell than simply who’s next in line for an ass-beating. I would say Thor is more similar in tone to Ang Lee’s Hulk than it is with pretty much any other more action-oriented superhero movie. (more…)

May 1, 2009

Carl’s Movie Mini-Review: X-Men Origins: Wolverine

X-Men Origins: Wolverine

The movie is melodramatic. Though there’s only a few “slow” emotional scenes in the parade of action set-pieces, everything that happens is “super serious and very important, just look at the scowl on my face.” And I mean a parade of set-pieces. Even if several of them are incidental and small setups for later plot points, the production always makes sure there’s some eye candy, be it aggressive cinematography and/or something ‘sploding.

I jokingly call the movie Wolverine & His Excessive Co-stars, and I still think there are far more characters than necessary. However, their relational network is kept small, so it didn’t wind up feeling like Mortal Kombat Annihilation where there are characters just for the sake of ticking up some arbitrary cameo counter.

I’ve got two major complaints for an event pic like this. 1.) After all these years and advancements in technology and techniques, why does some of the wire-work still look laughable? 2.) You know what else is laughable?  There is no excuse for the CG claws to stand out and look so obviously bad and fake.

And speaking of fakes, there are actually two post-credits bonus scenes. Don’t leave after the I’m-not-sure-why-that-was-made-a-big-deal Stryker scene.

Not as good as the X-flicks, but worth it for the grand fight scenes.  I suppose it’s fair about how they’re different.  X-Men is a parable about society, and Wolverine is just about the visceral rush.

Carl @ 1:38 am
Filed under: Film,Reviews — Tags: , , , , ,

March 21, 2009

The New Hotness vol. 1

In this ongoing segment, I’ll narcissistically talk about things that I’m currently enjoying or think are cool.  I’ll plan on doing this once a week, rather than random ramblings about Dancing with the Stars or the latest failed attempt at pop music.

Music:

BoA – BoA (self titled)
This is Korean pop singer BoA’s big American debut album…although she’s been singing in English…and Japanese…and of course Korean…for many years now.  For better or worse, unlike Utada Hikaru’s big American debut album, this one doesn’t sound very Asian at all.  In fact, if you tried to pass this off as Britney’s latest work, no one would be none the wiser.  It’s a collection of above average, lightweight, catchy, current dance/”hip-pop” tunes.

Fashion:

Busted t-shirt
I posted this a little while back, but at the time it wasn’t officially a shirt.  However, it’s been approved and available for purchase.  I don’t know what it is, but artsy Pac-Man shirts are able to make me pay more than $12 for mere t-shirts.

TV:

Hana Yori Dango (Boys Over Flowers)
The live-action adaptation of the classic manga/anime series.  That being said, I wasn’t familiar with the source material, but somehow I stumbled on a recommendation to check out the TV show, so I gave it a shot.  And it sank its claws into me, causing me to watch mini-marathons each night that prevented me from going to bed before 4am.

In a nutshell, Tsukushi is a poor girl whose family is putting her through the most exclusive, rich-kid high school in Japan.  Her goal was to fly under the radar until graduation, but after defending a friend, she draws the the wrath of the school’s ruling power: the F4, a group of sons of Japan’s ruling elite in commerce, culture, and the “underworld.”  Refusing to back down from the teasing and abuse from the whole school and actually socking a punch to the F4′s leader Tsukasa, she earns F4′s respect and the admiration of their self-centered, young punk leader, much to the dismay of all the rich girls doting on the boys.  Of course Tsukasa has familial obligation to become heir to the throne of Japan’s largest financial dynasty, and his wicked mother won’t stand to have him fall in love with a peasant girl.  The side characters all have interesting side-stories that are reasonably explored, and the Cinderella story is not overly melodramatic or cheesy nor girly or sappy.  However, a certain level of over-the-topness is expected from any Japanese show.  It goes on for 20 episodes between the two seasons, plus a movie.

Books:

Watchmen
I picked up the book after watching and thoroughly enjoying the movie.  I’m about a quarter of the way in, and so far the movie’s been pretty damned spot-on.  Already knowing how things are going to play out (more or less given the tweaks to the ending), I am having lots of fun seeing hidden hints and clues in the crude 1980′s artwork.

Video Games:

House of the Dead: Overkill
It’s a non-stopbloody, funny, funky, dirty-mouthed riot.  Except for those annoying half-second freezes everytime you blow someone up to smithereens…which is quite often.  It’s easy to overlook that technical quirkiness, though when the game is just this much fun thanks to it’s incredible polish.  There’s location sensitive hit-zones that let you blow off individual limbs, grindhouse-style dirtied up image and audio filters, and a genuinely funny script despite the famously frequent f-bombs.

Buy it!  Buy it new, dammit!  Otherwise we’ll still be stuck with endless mini-game collections.  Sega is sticking its neck out by publishing all these “core gamer” titles like HotD: Overkill, MadWorld, and The Conduit.  If they don’t get any love and appreciation (read: money), then the word that’s being sent their way is that it’s not profitable to aim for the “core” gaming crowd.

March 6, 2009

Carl’s Movie Mini-Review: Watchmen

Watchmen

(Note: I’ve never read the original graphic novel, so I can only judge the film on its own merits.)

First, a tangent: Chuck and I randomly decided to catch the midnight showing of Watchmen rather than simply purchase tickets for Friday.  Being that we’re pretty far from the college, it turns out that they hadn’t sold out of tickets.  In fact, when we returned to the theater after wasting a few hours in wait, there were still people buying tickets.  We finally let out right at 3am.  I don’t know whose crazy business decision it was to stay open and keep staff until past 3am for a single screen.  I mean, unless it’s a Friday or Saturday night, final showings are usually around 10:40pm, letting out around 1-ish.  That’s an extra 2 hours they had to pay staff!

It’s no secret that I’m no fan of director Zack Snyder’s previous work 300.  It was just a bunch of naked dudes screaming and yelling.  With no background on Watchmen, my only expectation/hope coming in was that it would be better than 300.

Watchmen was a stellar and tight effort.  There’s a small core cast, and there’s enough time spent on them individually and in pairs that you get a feel for the character and their chemistry amongst each other.  There are several extended vignettes for a handful of the characters that further delve into their backgrounds, but not all of the represented characters are given that same treatment.

Those who come looking for a wham-bam action flick will be disappointed…to a certain degree.  The story unfolds slowly and meticulously.  The plot itself is more akin to a mystery, but the significant focus is on exploring the characters.  How do certain people react to bad situations?  To distant partners, to break-ups?  To professional obligations?  To being “fresh meat” in a prison?  To the generational misunderstandings between parent and child?  To convincing people that contributing to the greater good means “cracking a few eggs to make an omelette?”  To impending global thermonuclear warfare?  That said, the action presented is intensely brutal with just the right amount of editing.  Cuts are made to make sure the composition remains dramatic, but the camera can, at times, be unflinching in presenting grotesque scenes.

I have a few technical issues with some of the effects work, notably the obvious wire-work assisting Rorschach’s prowling and the odd lack of shadow when compositing CG characters.

There is a tremendous focus on using 1970′s/1980′s media to date the setting.  There is plenty of TV-watching and perhaps overly prominent use of licensed songs.

Those looking for another dose of superhero action will be sorely disappointed; this film’s strongly in the drama category.  It’s a cerebral, meta take on masked crusaders as real people and something I will highly recommend.

After the movie Chuck told me about how things played out in the original book.  It seems to me it was a very wise decision to adjust the focus, trim down the cast, and avoid a likely awkward deus ex machina plot device that would make an already long movie quite clumsy.  I just ordered the book off of Amazon (on sale for $10.99!), so maybe I’ll have a different take on it after I’ve read the source material.  Chuck said that though he prefers the way things are handled in the book, as a stand-alone work, the film was great.

Carl @ 4:36 am
Filed under: Film,Reviews — Tags: , , , , ,